Las óleos de todo Simon Vouet
ID Image  Painting (From A to Z)       Details 
40436  
Simon Vouet, Allegory of Wealth
  		 Allegory of Wealth   mk156 1627 Oil on canvas 107x142cm
76032  
Simon Vouet, Diana
  		 Diana   Date 1637 Medium Oil on canvas Dimensions 102 ?? 141 cm (40.2 ?? 55.5 in) cyf
74109  
Simon Vouet, Muses Urania and Calliope
  		 Muses Urania and Calliope   English: Low resolution detail of the muse Urania from The Muses Urania and Calliope Date c. 1634 cyf
98242  
Simon Vouet, Penitent Mary Magdalene
  		 Penitent Mary Magdalene   first half of 17th century Medium oil on panel cyf
20365  
Simon Vouet, Prince Marcantonio Doria (mk05)
  		 Prince Marcantonio Doria (mk05)   1621 Canvas,51 x 37 1/2''(129 x 95 cm)Given in 1979
55762  
Simon Vouet, Saturn,Conquered by Amor venus and hope
  		 Saturn,Conquered by Amor venus and hope   mk244 187x142cm Oil on canvas Bourges
33591  
Simon Vouet, Saturn,conquered byu Amor,Venus and Hope
  		 Saturn,conquered byu Amor,Venus and Hope   mk86 c.1645/46 Oil on canvas 187x142cm Bourges,Musee du Berry
80550  
Simon Vouet, The Rape of Europa
  		 The Rape of Europa   ca. 1640(1640) Medium Oil on canvas cyf
33560  
Simon Vouet, The Toiler of Venus
  		 The Toiler of Venus   mk86 c.1628-1639 Oil on canvas 183.8x153cm Cincinnati Cincinnati Art Museum
55730  
Simon Vouet, The Toilet of Venus
  		 The Toilet of Venus   mk244 c.1628-1639 Oil on canvas 183.8x153cm
87866  
Simon Vouet, Toilette of Venus
  		 Toilette of Venus   1625-27 Medium Deutsch: Öl auf Leinwand English: Oil on canvas cyf
75145  
Simon Vouet, Vierge Hesselin
  		 Vierge Hesselin   Vierge au rameau de chene, dite "Vierge Hesselin" Date Dimensions 97 X 77 cm (38.19 X 30.31 in) cyf
Simon Vouet
French Simon Vouet Gallery 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting.



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